For one week only, save big on 2 of iZotope’s most useful audio tools, Insight and RX Elements. Sale ends 11:59 PM PT on February 27, 2020.

Oct 27, 2019  Doug will be premiering iZotope‘s new product that will revolutionize the post-production workflow.” Although it could be referring to new features in RX, what if it was a completely new product altogether? The inference of this quote is that it is something specific for dialog. What Would Like It To Be? Would you like it to be iZotope RX 8? The other thing that to consider is that Waves is much cheaper at the moment $299 for the whole noise restoration plugin, whereas RX7 standard is $399 and then Advanced at $1199 ish.

Insight 2

Save 50% on Insight 2! Only $99! Sale ends Feb. 27, 2020

Intelligent Metering for Music & Post

For only $99, visualize your mix in the deep and fully customizable metering experience of Insight 2, revealing clashes in your mix and the intelligibility of dialogue and vocals through Inter-plugin Communication.

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Get a complete set of meters that can be customized and form fit to any session. Gain valuable perspective on any aspect of your mix, from loudness, intelligibility, spectral balance, and more.

Whether you’re measuring loudness for broadcast compliance, ensuring clear dialogue for film, or managing a complex 7.1.2 Dolby Atmos session, Insight 2 is the metering tool for the job.

MSRP: $199.00 SALE: $99.00

RX Element

Save 78% on RX Element! Only $29! Sale ends Feb. 27, 2020

Essential audio repair at an affordable price

For only $29, correct hum, clicks, and clipping audio with RX Elements, and even let Repair Assistant give you a starting point automatically. Never settle for rough audio again.

RX Elements is a budget-friendly noise reduction and audio repair tool for small home studios that need the basics. It includes a standalone audio editor with spectral editing as well as four essential, real-time noise reduction plug-ins to fix clipping, hums, clicks, and other unwanted background noise like amp hiss or air conditioner noise. New to version 7, Repair Assistant uses the digital signal processing in RX Elements to analyze your audio and provide solutions to quickly correct the most common issues. Get the same tools the pros use at an unbelievable price!

MSRP: $129.00 SALE: $29.00

Offers available through 11:59 PM PT on February 27, 2020.

Posted by Kim Sternisha

Overview

Time & Pitch uses iZotope’s sophisticated Radius™ algorithm to give you independent control over the length and pitch of your audio. It is useful for retuning audio to fit in a mix better, or adjusting the length of audio to deal with BPM or time code changes.

How Large Is Izotope Rx 1

Pitch Contour Module

  • The Pitch Contour module can be used for faster pitch shifting with the ability to correct variations in pitch over time.

iZotope Radius

iZotope Radius™ is a world-class time-stretching and pitch-shifting algorithm. You can easily change the pitch of a single instrument, voice, or entire ensemble while preserving the timing and acoustic space of the original recording. iZotope Radius is designed to match the natural timbres even with extreme pitch shifts.

Controls

  • ALGORITHM: You should use Solo mode only when processing a single instrument with a clearly defined pitch. The human voice is a good candidate for solo mode, as are most stringed instruments, brass instruments, and woodwinds. For most other types of source material, Radius mode will usually offer better results. If speed is important, use the Radius RT mode.
  • SOLO: In Solo mode, the adaptive window size can significantly affect the quality of Radius’s output.
    • If the adaptive window size is too small, you will hear a squeaking noise which sounds like the pitch of the audio is changing very rapidly.
    • If the adaptive window size is too large then the sound will become grainy as you will begin to hear portions of it being repeated.
    • A good approach is to start with the default window size of 37 ms. If the results are unsatisfactory, increase the window size until the squeaking noise described above does not occur. If you cannot get the distortion to disappear, switch to Radius mode for processing.
    • Lower pitched instruments and voices may require a longer adaptive window size than the default, but very long adaptive window sizes can cause audible repeating slices of audio.
  • Formant Correction: Formants are the resonant frequency components of voice that tend to be perceived as characteristics like age and gender. You can shift formants independently of pitch and time by enabling Shift Formants.
    • Typically you will leave the Formant Shift Strength set to 1 (full strength) and the Formant Shift Semitones set to 0.
    • If you hear what sounds like an EQ adjustment to your audio, you can try lowering the strength to reduce this artifact.
    • To achieve special effects, for example to change the perceived gender of a human voice, try adjusting the semitones to a value other than 0.
  • STRETCH RATIO: Determines how much the resulting audio will be stretched in time.
    • Values between 12.5% and 100% will cause the audio to speed up without affecting pitch, resulting in a shorter audio file.
    • Values between 100% and 800% will cause the audio to slow down without affecting pitch, giving you a longer audio file.
  • BPM CALCULATOR: If you are using Radius to process audio for a tempo change, you can also adjust the stretch ratio with the BPM Calculator.
  • PITCH SHIFT: Controls the amount of pitch shifting up or down that will be applied to the audio.
  • ALGORITHM: The Algorithm drop-down menu has three options:
    • RADIUS: designed to work well with polyphonic material such as mixes with more than one instrument, as well as non-harmonic material such as drum loops or rhythmic audio. This is the highest-quality option for most sources.
    • SOLO INSTRUMENT: designed for monophonic pitched material such as a stringed instrument or human voice.
    • RADIUS RT: Good quality, polyphonic, but faster than Radius.
  • TRANSIENT SENSITIVITY: Determines the algorithm’s handling of transient material. Higher values will result in better preservation of individual transients after processing.
    • When stretching percussive material, you usually want transient sensitivity set to its default value of 1.
    • If transients in your audio are being “smeared”, a higher value of 2 will tighten up transience at the expense of incurring heavier processing on non-transient audio.
    • Bowed instruments such as the violin and cello are especially affected by the transient sensitivity setting. If you hear a stuttering artifact, lower the transient sensitivity to eliminate it.
  • NOISE GENERATION (RADIUS MODE ONLY): Helps noisy material (like sibilance or snare drums) sound more natural when processed.
    • This control will generate noise instead of stretching the noise that is already present in the signal and creating new tones. Higher values of the noise generation parameter will cause Radius to generate noise more often, but can cause some phase artifacts.
  • PITCH COHERENCE (RADIUS MODE ONLY): Controls the preservation of the natural timbre of the processed audio.
    • The Pitch coherence control in the Radius control panel helps preserve the timbre for pitched solo voices, such as human speech, saxophone or vocals. While traditional vocoders can smear these signals in time and randomize phase, the pitch coherence parameter of Radius preserves phase coherence for these signals.
    • High values of pitch coherence will avoid phasiness in Radius’s output at the expense of roughness (modulation) in processed polyphonic recordings.
    • Try turning this up for better results if you’re processing a solo voice or a small group of related instruments.
  • PHASE COHERENCE (MIX MODE ONLY): Preserves the coherence of phase between the left and right channels of the processed audio.
    This should be increased if there’s any change in the perceived stereo image after using Radius. It can be decreased when processing a multichannel signal where different channels contain completely different instruments.
  • ADAPTIVE WINDOW SIZE (ms) (SOLO MODE ONLY): Adjusts the window size in milliseconds of Radius’ Solo algorithm.
    • If the adaptive window size is too small, you will hear a squeaking noise which sounds like the pitch of the audio is changing very rapidly.
    • If the adaptive window size is too large then the sound will become grainy as you will begin to hear portions of it being repeated.
    • Increase this if you have trouble getting good results pitching or stretching low-pitched instruments or voices.
  • SHIFT FORMANTS: Processes formant frequencies independently of other pitch and time processing.
    • When this option is enabled, formant frequencies can be shifted independently of other pitch shifting performed by Radius.
    • When Radius performs pitch-shifting without Formant Correction, it will shift these resonant frequencies along with the rest of the audio.
  • STRENGTH: Adjusts the amplitude strength of the formant correction filter.
  • SHIFT: How much formant frequencies are shifted. Typically this control can be set to 0, which leaves the formant frequencies unshifted during processing. Adjust this control to fine-tune the formant correction algorithm or for special effects.
  • WIDTH: Controls the bandwidth of the formant detection filter.
    • Smaller values of this control will offer more precise formant correction in the processed audio.
    • Higher values will include a wider band of formant frequencies.

More Information

Pitch shifting single instruments (especially bass instruments) can benefit from some adjustments to formant correction. Try enabling formant correction and moving the strength between 0.1 and 0.2. Move the Formant Correction semitones part of the way towards your pitch shift amount. For example, if you’re pitch shifting +4 semitones, move the Formant Correction Semitones between 2 and 3. This can help bring back subtle percussive elements in the original source material.

How Large Is Izotope Rx Free

The formant frequencies of the human voice can actually shift slightly when we sing. You can use the Formant Correction Semitones control to compensate for this. For example, if pitch shifting a human voice by +7 semitones, try setting the Formant Correction semitones between 0 and +2 for more natural results.

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